Phobophobia Is the Fear of Phobias

Phobophobia Is the Fear of Phobias Phobias Types Print The Fear of Phobias Is Phobophobia By Lisa Fritscher Lisa Fritscher is a freelance writer and editor with a deep interest in phobias and other mental health topics. Learn about our editorial policy Lisa Fritscher Medically reviewed by Medically reviewed by Steven Gans, MD on August 05, 2016 Steven Gans, MD is board-certified in psychiatry and is an active supervisor, teacher, and mentor at Massachusetts General Hospital. Learn about our Medical Review Board Steven Gans, MD Updated on August 12, 2019 Martin Dimitrov / Getty Images More in Phobias Types Causes Symptoms and Diagnosis Treatment The fear of phobias is phobophobia. This anxiety disorder can lead to a self-replicating cycle, ultimately resulting in escalating circular fears. Some people with phobophobia already have one or more existing phobias, while others are afraid that they might develop one. Phobophobia is often, but not always, linked to other anxiety disorders. Phobophobia With an Established Phobia If you already have an established phobia, you may be at greater risk of developing phobophobia. This is because a common symptom of any phobia is anticipatory anxiety, which causes increasing fear in the days or weeks leading up to a planned confrontation with the object of fear. Therefore, you may begin to dread not only your original trigger but also your own reaction to it. Over time, this dread can worsen and develop into phobophobia. Phobophobia Without an Established Phobia It is possible to develop phobophobia even if you never had an actual phobia. For example, you can worry that you will develop a phobia of something you love, or that you will develop a phobic reaction that limits your daily activities. Phobophobia is an anxiety disorder rooted in the basic fear of developing an illness. Once you understand that phobias are a life-limiting condition, its not difficult to understand that a phobia could become the object of fear. A Self-Fulfilling Prophecy Phobophobia is interesting in that it is one of the only disease fears that can actually lead to the feared outcome. While the fear of cancer (carcinophobia) does not increase the odds of developing it, the fear of phobias can lead to a phobia. How does that happen? You gradually limit your activities in an ever-increasing attempt to minimize your exposure to fearful reactions. Over time, this can lead to agoraphobia. If your fear centers around a specific object or situation, you might gradually develop a phobia of that object or situation. Understanding Phobophobia Like all phobias, phobophobia is an exaggerated fear response. While in other phobias, the irrationally heightened response focuses on a specific object or situation, in phobophobia, the fear is of the fear response itself. If you have phobophobia, you are likely the opposite of an adrenaline junkie. Rather than experiencing a thrill when facing your fears, you may go out of your way to avoid any situation that causes heightened anxiety. This self-protective instinct can have devastating effects on your work or school life, causing you to minimize risks that could lead to great rewards. It can also have an impact on your social life by leading you to avoid situations that you perceive as anxiety-inducing. Treatment Phobophobia typically responds well to standard phobia treatments such as cognitive-behavioral therapy and hypnosis. However, since phobophobia is often linked to other anxiety disorders, it is important to simultaneously treat all conditions. Your therapist will carefully diagnose all applicable disorders and create a customized treatment plan that meets your unique needs. Phobophobia can be difficult to manage, but with proper treatment, there is no reason for it to limit your life. How to Find the Right Therapist If You Have a Phobia

Smoking Is Banning an Effective Measure to Discourage People

Smoking: Is Banning an Effective Measure to Discourage People? Nowadays all people seem to be aware of the health risks smoking entails. Yet the number of smokers is not decreasing. In some countries it has brought about some drastic measures such as banning smoking altogether in the offices and in public places. But is it actually an effective way to fight smoking? My attitude to such measures is ambivalent. On the one hand, it certainly benefits non-smokers, who often have to put up with the cigarette smoke in public places and at work. It is common knowledge that regular passive smoking can be as detrimental to our health as active. So, as a non-smoker mindful of my health, I find the banning policy beneficial. However, if we consider it from the point of view of the smokers, it deprives them of places for smoking. By prohibiting it in public places, we will not manage to discourage them from this habit. The only result that would be achieved is that they would be smoking at home more often and endanger the health of their families. Therefore, when we ban public smoking, we should introduce special places for smokers, where they will not be able to harm those, who do not approve of this indulgence. If we want to wage war against smoking, we should use a whole complex of measures. For instance, if the government undertook the expense of profes sional psychological and medical treatment, many people would be more willing to do away with this bad habit. To sum up, prohibition has never managed to

The Reflection Of Edouard Manet Painting A Bar At The...

The reflection of Édouard Manet s Painting Édouard Manet s painting A Bar at the Folies-Bergà ¨re has been a piece of artwork that has been debated among art historians for over a century; the painting is perplexing due to its ambiguous cultural meaning and therefore creates a discussion between art historians. A Bar at the Folies-Bergà ¨r deludes the spectator when first looked at, as if there is no uncertainty but then with further observation gives a sense of doubtfulness (Harland et al. 2). As one can imagine, countless amounts of art historians throughout the world have created their own interpretations and views of Manet s painting, some more valid than others. With these various authors, the reflection of the mirror is the main point that is studied, it is the part of the painting that is very dynamic and what takes Manets A Bar at the Folies-Bergà ¨r artwork to a new level of art with the use of reflection. Due to the equivocal and lively nature of the painting, Ha rlands interpretation creates the ideology of what Manet was intending the artwork to be perceived as. In the painting A Bar at the Folies-Bergà ¨re portrays a scene at the Folies-Bergà ¨re, a cafe that also has performances in this scene a woman who is depicted as a barmaid and believed to be a prostitute, is looking towards the observer of the painting. The barmaid is engaging to an extent however she is not completely looking at the viewer. The right side of Manet’s work shows the backShow MoreRelatedManet at the Bar1216 Words   |  5 PagesPaper December 5, 2012 Manet and The Bar Edouard Manet’s painting A Bar at the Folies-Bergere, was completed in 1882 and is considered his last great painting. He displayed it at the Paris Salon just one year before his passing. This painting as vexed art historians throughout the years for its complex visual subject matter and leaves Manets true interpretation of his painting in the air for discussion. Although there are many interpretations, A Bar at the Folies-Bergere is an avant-garde; viewerRead MoreEssay about Edouard Manets Bar at the Folies Bergere1639 Words   |  7 PagesEdouard Manets Bar at the Folies Bergere Edouard Manet’s Bar at the Folies Bergere was completed in 1882. This was to be the last major work Manet would complete before his death. The painting was intended for the Salon, and because of his recently awarded Legion of Honor, Manet could be sure this piece would be accepted. This painting would be considered from the impressionistic style. That Manet’s Bar is a masterpiece can hardly be argued, but the intent of the piece however is theRead MoreThe Bar At The Folies Bergere1450 Words   |  6 PagesThe Bar at the Folies-Bergere shows a young lady who works at the Folies-Bergere, a Paris cafe. The lady is the sole focus of the work. Manet has depicted her in a manner that seems both thoughtful and aloof. Her mind seems elsewhere while she is focused on serving drinks and appetizers to the noisy crowd. The viewer’s attention is focused on her locket pendant, which makes us think of a situation and place far away from this, where she is someone’s beloved, not one of many servers in an overcrowdedRead MoreA Bar At The Folies Bergere1572 Words   |  7 PagesFrench painter Edouard Manet’s A Bar at the Folies-Bergà ¨re [Figure 1], Mexican artist Frida Kahlo’s The Two Fridas [Figure 2], and American artist Faith Ringgold’s Dancing at the Louvre [Figure 2]. Spanning the late 19 th century into the late 20th century, these common goals to change focus from piece to piece within artwork remain prevalent throughout the world, even with the sharp increase in artistic styles of modern art. The first painting is an impressionistic work by Manet called A Bar at the Folies-Bergà ¨reRead MoreThe Influence Of Edouard Manet On The Transition Of Realism Into Impressionism1491 Words   |  6 PagesThe artwork of Édouard Manet was a determining factor in the transition of Realism into Impressionism. Impressionism was the beginning of modern art. It rose to notoriety in the shadows of the French Revolution under the rule of Napoleon III, â€Å"The precise moment when Impressionism was coalescing as a style, 1870-71, coincided with a war and a change of political regime.† Strict rules were implemented governing each art exhibition, thus artists who stood for artistic freedom and innovation revolted

Night World Huntress Chapter 6 Free Essays

Me? Hugh nodded. â€Å"I’m supposed to stop the end of the world? How?† â€Å"First, I ought to tell you that it’s not just me that believes all this about the millennium. It’s not even Circle Daybreak that believes it. We will write a custom essay sample on Night World : Huntress Chapter 6 or any similar topic only for you Order Now It’s the Night World Council, Jez.† â€Å"The joint Council? Witches and vampires?† Hugh nodded again. â€Å"They had a big meeting about it this summer. And they dug up some old prophecies about what’s going to happen this time.† â€Å"Like?† Hugh looked slightly self-conscious. â€Å"Here’s one. It used to rhyme in the original, I think, but this is the translation.† He took a breath and quoted slowly: ‘In blue fire, the final darkness is banished. In blood, the final price is paid.† Great, Jez thought. Whose blood? But Hugh was going on. â€Å"Four to stand between the light and the shadow, Four of blue fire, power in their blood. Born in the year of the blind Maiden’s vision; Four less one and darkness triumphs.† Jez blinked slowly. â€Å"What’s blue fire?† â€Å"Nobody knows.† â€Å"‘Four to stand between the light and the shadow†¦Ã¢â‚¬â„¢ Meaning to hold off the end of the world?† â€Å"That’s what the Council thinks. They think it means that four people have been born, four Wild Powers who’re going to be instrumental in whatever’s coming, whatever battle or disaster that’s going to destroy us. Those four can stop the end of the world-but only if all of them fight together.† â€Å"‘Four less one and darkness triumphs,† Jez said. â€Å"Right. And that’s where you come in.† â€Å"Sorry, I don’t think I’m one of them.† Hugh smiled. â€Å"That’s not what I meant. The fact is, somebody around here has already reported finding a Wild Power. Circle Daybreak intercepted a message from him to the Council saying that hell hand the Wild Power over to them if they make it worth his while. Otherwise hell just sit tight until they’re desperate enough to agree to his terms.† Jez had a sinking feeling. She said one word. â€Å"Who?† Hugh’s expression was knowing and regretful. It’s one of your old gang, Jez. Morgead Blackthorn.† Jez shut her eyes. Yeah, that sounded like Morgead, trying to shake down the Night World Council. Only he was crazy and nervy enough to do that. He was stubborn, too-perfectly capable of letting disaster come if he didn’t get his way. But of all the people in the world, why did it have to be him? And how had he found a Wild Power, anyway? Hugh was speaking again softly. â€Å"You can see why we need you. Somebody has to get to him and find out who the Wild Power is-and you’re the only one who stands a chance of doing that.† Jez pushed hair off her face and breathed slowly, trying to think. â€Å"I don’t need to tell you how dangerous it is,† Hugh said, looking into the distance again. â€Å"And I don’t want to ask you to do it. In fact, if you’re smart, you’ll tell me to get lost right now.† Jez couldn’t tell him to get lost â€Å"What I don’t understand is why we can’t just let the Council take care of it. They’ll want the Wild Powers bad, and they have a lot more resources.† Hugh glanced back at her, startled. His gray eyes were wide with an expression that Jez had never seen before. Then he smiled, and it was an incredibly sad smile. â€Å"That’s just what we can’t do. You’re right, the Council wants the Wild Powers. But not so they can fight the end of the world. Jez†¦ they only want them so they can kill them.† That was when Jez realized what his expression was. It was gentle regret for innocence-her innocence. She couldn’t believe how stupid she had been. â€Å"Oh, Goddess,† she said slowly. Hugh nodded. â€Å"They want it to happen. At least the vampires do. If the human world ends-well, that’s their chance, isn’t it? For thousands of years the Night People have had to hide, to live in the shadows while the humans spread all over the world. But the Council wants that to change.† The reason Jez had been so slow was that it was hard for her to imagine anybody actually wanting to bring on the Apocalypse. But of course it made sense. â€Å"They’re willing to risk being destroyed themselves,† she whispered. â€Å"They figure that whatever happens, it’ll be worse on the humans, since the humans don’t know it’s coming. Hell, some of the Night People think they’re what’s coming. Hunter Redfern is saying that vampires are going to wipe out and enslave the humans and that after that the Night World is going to reign.† Jez felt a new chill. Hunter Redfern. Her ancestor, who was over five hundred years old but looked about thirty. He was bad, and he practically ran the Council. â€Å"Great,† she muttered. â€Å"So my family’s going to destroy the world.† Hugh gave her a bleak smile. â€Å"Hunter says the Old Powers are rising to make vampires stronger so they can take over. And the scary thing is, he’s right. Like I said before, the Night People are getting stronger, developing more powers. Nobody knows why. But most of the vampires on the Council seem to believe Hunter.† â€Å"So we don’t have much time,† Jez said. â€Å"We have to get the Wild Power before Morgead makes a deal with the Night World.† â€Å"Right. Circle Daybreak is fixing up a safe place to keep the Wild Powers until we get all four. And the Council knows we’re doing it-that’s probably why that ghoul was following me. They’re watching us. I’m just sorry I led it here,† he added absently, with a worried look around the room. â€Å"Doesn’t matter. He’s not telling anybody anything.† â€Å"No. Thanks to you. But we’ll meet someplace different next time. I can’t endanger your family.† He looked back at her. â€Å"Jez, if the Night World manages to kill even one of the Wild Powers-well, if you believe the prophecy, it’s all over.† Jez understood now. She still had questions, but they could wait. One thing was clear in her mind. â€Å"I’ll do it. I have to.† Hugh said very quietly, â€Å"Are you sure?† â€Å"Well, somebody has to. And you were right; I’m the only one who can handle Morgead.† The truth was that she thought nobody could handle Morgead-but she certainly had a better chance than any Circle Daybreaker. Of course, she wouldn’t survive the assignment Even if she managed to steal the Wild Power out from under Morgead’s nose, he’d hunt her down and kill her for it That was irrelevant â€Å"He hates me, and I hate him, but at least I know him,† she said out loud. There was a silence and she realized that Hugh was looking at her oddly. â€Å"You think he hates you?† â€Å"Of course. All we ever did was fight† Hugh smiled very faintly-an Old Soul look. I see.† â€Å"What’s that supposed to mean?† ‘It means-I don’t think he hates you, Jez. Maybe he has strong emotions for you, but from what I’ve heard I don’t think hate is one of them.† Jez shook her head. â€Å"You don’t understand. He was always gunning for me. And if he found out I’m half human-well, that would be the end. He hates humans worse than anything. But I think I can fool him for as long as it takes to get the Wild Power.† Hugh nodded, but he didn’t look happy. His eyes were bruised and tired. If you can pull it off, you’ll save a lot of lives.† He knows, too, Jez thought. That I’ll die doing this. It was some comfort that he cared-and more comfort that he didn’t understand why she was doing it. Sure, she wanted to save lives. But there was something else. The Council had tried to mess with Hugh. They’d sent a stinking ghoul after him. They would probably send something different tomorrow-certainly, they’d keep trying to kill him. And for that, Jez was going to wipe the floor with them. Hugh wasn’t any kind of fighter. He couldn’t defend himself. He shouldn’t be a target. She realized that Hugh was still looking at her, with pain in his eyes. She smiled to show him that she wasn’t afraid of dying. â€Å"It’s a family affair,† she told him-and that was true, too. â€Å"Hunter’s my great-great-great-great-great-grandfather. It’s only right that I stop him. And if anything happens to me-well, one Redfern less is probably a blessing to the world.† And that was the last part of the truth. She came from a tainted family. No matter what she did, who she saved, or how hard she tried, there would always be vampire blood running in her veins. She was a potential danger to humanity by her very existence. But Hugh was looking horrified. â€Å"Don’t you ever say that† He stared at her for another moment and then took her by the shoulders, squeezing. â€Å"Jez, you’re one of the best people I know. What you did before last year is-â€Å" â€Å"Is part of me,† Jez said. She was trying not to feel his warm grip through her T-shirt, trying not to show that his little squeeze sent a shock through her entire body. â€Å"And nothing can change that. I know what I am.† Hugh shook her slightly. â€Å"Jez-â€Å" â€Å"And right now, I have to get rid of that ghoul. And you’d better be getting home.† For a moment she thought he was going to shake her again; then he slowly let go of her. ‘You’re officially accepting the assignment?† The way he said it sounded as if he were giving her one last chance not to. â€Å"Yes.† He nodded. He didn’t ask how she planned on getting back into a gang that she’d abandoned, or getting information from Morgead, who hated her. Jez knew why. He simply trusted that she could do it â€Å"When you know something, call this number.† He dug in a different pocket and handed her a square of paper like a business card. â€Å"I’ll give you a location where I can meet you-someplace away from here. We shouldn’t talk about anything on the phone.† Jez took the card. â€Å"Thanks.† â€Å"Please be careful, Jez.† â€Å"Yes. Can I keep the articles?† He snorted. â€Å"Sure.† Then he gave her one of those sad Old-Soul smiles. â€Å"You probably don’t need them, though. Just look around. Watch the news. You can see it all happening out there.† â€Å"We’re going to stop it,† Jez said. She reconsidered. â€Å"We’re going to try.† Jez had a problem the next morning. The problem was Claire. They were supposed to drive to school together, to ensure that Jez didn’t cut school. But Jez had to cut school to go find Morgead. She didn’t want to imagine the kind of trouble that was going to get her in with Uncle Jim and Aunt Nanami-but it was crucial to get to Morgead as soon as possible. She couldn’t afford to waste time. At the first major stoplight-and there weren’t a lot of them in Clayton-she smacked her forehead with her palm. â€Å"I forgot my chemistry book!† She unfastened her seat belt and slid out of the Audi just as the light turned green. â€Å"You go ahead!† she shouted to Claire, slamming the door and leaning in the open window. â€Å"Ill catch up to you.† Claire’s expression showed her temperature was reaching the boiling point. â€Å"Are you crazy? Get in; I’ll drive back† â€Å"You’ll be late. Go on without me.† She made a little fluttery encouraging motion with her fingers. One of the three cars behind Claire honked. Claire opened her mouth and shut it again. Her eyes were shooting sparks. â€Å"You did this on purpose! I know you’re up to something, Jez, and I’m going to find out-â€Å" Honk. Honk. Jez stepped back and waved goodbye. And Claire drove off, as Jez had known she would. Claire couldn’t stand the peer pressure of cars telling her to get moving. Jez turned and began to jog for home, in a smooth, steady, ground-eating lope. When she got there, she wasn’t even breathing hard. She opened the garage and picked up a long, slim bundle that had been concealed in a corner. Then she turned to her bike. Besides Hugh, it was the love of her life. A Harley. An 883 Sportster hugger. Just twenty-seven inches tall and eighty-seven inches long, a lean, light, mean machine. She loved its classic simplicity, its cold clean lines, its spare body. She thought of it as her steel and chrome thoroughbred. Now she strapped the long bundle diagonally on her back, where it balanced nicely despite its odd size. She put on a dark full-face helmet and swung a leg over the motorcycle. A moment later she was roaring away, heading out of Clayton toward San Francisco. She enjoyed the ride, even though she knew it might be her last one. Maybe because of that. It was a dazzling end-of-summer day, with a sky of September blue and a pure-white sun. The air that parted for Jez was warm. How can people ride in cages? she thought, twisting the throttle to shoot past a station wagon. What good are cars? You’re completely isolated from your surroundings. You can’t hear or smell anything outside; you can’t feel wind or Power or a slight change in the temperature. You can’t jump out to fight at an instant’s notice. You certainly can’t stake somebody at high speed while leaning out of a car window. You could do it from a bike, though. If you were fast enough, you could skewer somebody as you roared by, like a knight with a lance. She and Morgead had fought that way once. And maybe will again, she thought, and flashed a grim smile into the wind. The sky remained blue as she continued west, instead of clouding up as she approached the ocean. It was so clear that from Oakland she could see the entire bay and the skyline of San Francisco. The tall buildings looked startlingly close. She was leaving her own world and entering Morgead’s. It was something she didn’t do often. San Francisco was an hour and fifteen minutes away from Clayton-assuming there was no traffic. It might as well have been in another state. Clayton was a tiny rural town, mostly cows, with a few decent houses and one pumpkin farm. As far as Jez knew, the Night World didn’t know it existed. It wasn’t the kind of place Night People cared about. Which was why she’d managed to hide there for so long. But now she was heading straight for the heart of the fire. As she crossed the Bay Bridge and reached the city, she was acutely aware of how vulnerable she was. A year ago Jez had broken the laws of the gang by disappearing. If any gang member saw her, they had the right to kill her. Idiot. Nobody can recognize you. That’s why you wear the full-face helmet. That’s why you keep your hair up. That’s why you don’t custom-paint the bike. She was still hyper-alert as she cruised the streets heading for one of the city’s most unsavory districts. There. She felt a jolt at the sight of a familiar building. Tan, blocky, and unlovely, it rose to three stories plus an irregular roof. Jez squinted up at the roof without taking off her helmet. Then she went and stood casually against the rough concrete wall, near the rusty metal intercom. She waited until a couple of girls dressed like artists came up and got buzzed in by one of the tenants. Then she detached herself from the wall and calmly followed them. She couldn’t let Morgead know she was coming. He’d kill her without waiting to ask questions if he got the jump on her. Her only chance was to jump him first, and then make him listen. The building was even uglier inside than it was outside, with empty echoing stairwells and faceless industrial-sized hallways. But Jez found her heart beating faster and something like longing twisting in her chest. This place might be hideous, but it was also freedom. Each one of the giant rooms behind the metal doors was rented by somebody who didn’t care about carpets and windows, but wanted a big empty space where they could be alone and do exactly what they wanted. It was mostly starving artists here, people who needed large studios. Some of the doors were painted in gemlike colors and rough textures. Most had industrial-sized locks on them. I don’t miss it, Jez told herself. But every corner brought a shock of memory. Morgead had lived here for years, ever since his mother ran off with some vampire from Europe. And Jez had practically lived here, too, because it had been gang headquarters. We had some good times†¦. No. She shook her head slightly to break off the thought and continued on her way, slipping silently through the corridors, going deeper and deeper into the building. At last she got to a place where there was no sound except the humming of the naked fluorescent lights on the ceiling. The walls were closer together here. There was a sense of isolation, of being far from the rest of the world. And one narrow staircase going up. Jez paused, listened a moment, then, keeping her eyes on the staircase, removed the long bundle from her back. She unwrapped it carefully, revealing a stick that was a work of art. It was just over four feet long and an inch in diameter. The wood was deep glossy red with irregular black markings that looked a little like tiger stripes or hieroglyphics. Snakewood. One of the hardest woods in the world, dense and strong, but with just the right amount of resilience for a fighting stick. It made a striking and individual weapon. There was one other unusual thing about it. Fighting sticks were usually blunt at either end, to allow the person holding it to get a grip. This one had one blunt end and one that tapered to an angled, narrow tip. Like a spear. The point was hard as iron and extremely sharp. It could punch right through clothing to penetrate a vampire heart. Jez held the stick in both hands for a moment, looking down at it. Then she straightened, and, holding it in a light grip ready for action, she began up the stairs. â€Å"Ready or not, Morgead, here I come.† How to cite Night World : Huntress Chapter 6, Essay examples

Judicial Review Essays - Constitutional Law, Philosophy Of Law

Judicial Review Towering over us all When looking at the three branches of government one sees all the power that the people have given them. One is looking at all the great accomplishments in the history of the U.S.A. In the beginning, the United States government was formed in the intent of having the power fall in the order of executive, legislative, and then judicial. Although this was supposed to be the case, now in the modern age the judicial branch holds the most power. This is largely because of the system of checks and balances. They have the power to impeach the President and members of the Congress. They also have the power of holding a mans life in their hands. Finally, they also have the power to tell society what is right and wrong. One of the judicial systems many powers is to impeach the President and members of Congress. This is done via the system of checks and balances. This is very important because they now can make sure that the public officials are obeying, and not above the law. This was the case of President Nixon. The power to impeach officials is also used to make sure that the officials are acting morally and in the best interests of the country. This was the case of President Clintons near impeachment. The next power that the judicial system has is that of holding a mans life in the balance. With all the criminal activity that is going on in todays society, this branch of government is becoming more and more involved and powerful. They can sentence a man to life in prison or even give the criminal the death penalty in extreme cases. I do believe however, that the court system is not very efficient in the way a murderer can get off almost scott free because of one little slip up in the law. The last and maybe the most influential power that the judicial system has is the power to decide and tell the public what is right and wrong. This is useful to shape the future of the country. As an example I give you the issue of gun control. With all the school shootings they must decide what to do with the right to bear arms amendment in the Bill of Rights. If they get rid of the right to bear arms then this will assure that only criminals and police will have guns. If they decide to keep the gun laws then the guns will be more available for the youth to get a hold of. This will definitely shape the future, and how society develops. In conclusion, the powers of the judicial branch of the government are very strong and influential in todays society. That is why they are now the most powerful branch of the government. This was not how it was intended to be, but thats how it played out. Government

The Realization of My Advantages Essay Example

The Realization of My Advantages Essay Example The Realization of My Advantages Essay The Realization of My Advantages Essay Each individual is unique- this is one of the very clichà © lines which most people hear all too often. However, the reality is that this line is something that we must learn to remember. Being an individual means that we are different from other people and that we have different things to offer for various situations. Every person specializes in a skill or talent where he or she can excel, no matter how insignificant that skill or talent may be for others. Thus, I personally believe that it is important for us to seek our own interests to fully realize our capabilities while enjoying the things that we must do. I view that this is crucial whenever a person reflects on the advantages that he or she possesses. Even during my younger years, I have already been interested in colors and shapes. My parents used to buy coloring books and materials for me when I was a kid, and before I knew it, I was fascinated with colors. I tried various colors to match another color by mixing them in the corners of the plain drawing. As a child, I was developed a fascination for building things with my own hands. However, with my limited dexterity at that time, I was not able to build anything successfully. Although my mother often appreciated the small things that I created, such as boxes I made out of recycled materials, I always felt that I could do it better Thus, as I grew older, I became very keen on details, most especially with the things that I design. I started looking at magazines and was able to distinguish the designs that I like. Sometimes, I draw what I think or directly create things from scratch. Although this activity is very time consuming, I believe that this will hone my skills and will directly address my issues in being a perfectionist. I do think that in order to be the best in my craft, I also need to critique myself constructively. It is essential to be aware of my weaknesses so that I could improve as an artist. My training at Parsons, The New School of Design that offers a world-class education, is something that I have always been very proud of. As the said school is used in a popular reality show as a training ground for many fashion designers, being granted with the opportunity to attend training here would definitely have a great impact in my future career as a designer. Parson has a great faculty and staff members who provide top-of-the-line training for their students. By passing the training at Parson, I gain the impression and image that I am capable of making designs that the world can acknowledge as exceptional. In addition, the training which I have received as well as the design perspectives made me feel confident with myself. Thus, I believe that my training at Parsons provided me a competitive edge. Considering my personal assessment of myself, I believe that I am very unique from the other design students in terms of my willingness and devotion to this field. From the time that I was young up to this very day, I do think that my trivial interest developed into a strong passion for creating designs to make life more beautiful comfortable for people in different walks of life. Hence, my advantage is my passion to work which could be a trademark that would be remembered by others. By making a simple design that is captivating to the eyes of the viewers as well as convenient for those who would use it daily is one of the most important values that I have as a designer. This attitude is one of my competitive advantages that I possess that aid me in creating a name for myself to be acknowledged just like the other renowned artists in the world. For me, advantages are only a plus to the natural abilities and the talents which are bestowed upon us. Nevertheless, my education, personality, perspective, and my passion are the best advantages that I have. These competitive advantages will stand as my weapons to prosper and be noticed as an artist in my own genre and be appreciated by those who also believe in the mixture of beauty and comfort.

The Catcher in the Rye Quotes

'The Catcher in the Rye' Quotes J.D. Salinger’s use of informal language in The Catcher in the Rye is part of the novel’s enduring popularity. But the writing style wasn’t chosen simply to make it accessible; Salinger mimics the patterns and rhythm of a story being told orally, giving readers the almost subliminal sense that they’re listening to Holden Caulfield instead of reading a book. The result is a powerful sense of the character despite his obvious unreliability and tendency to lie, and the ability to pull almost any quote from the novel and find plenty of meaning and symbolism. â€Å"‛Up home we wear a hat like that to shoot deer in, for Chrissake,’ he said. ‛That’s a deer shooting hat.Like hell it is.’ I took it off and looked at it. I sort of closed one eye, like I was taking aim at it. ‛This is a people shooting hat,’ I said. ‛I shoot people in this hat.’† Holden’s red hunting cap is ridiculous, and there is plenty of evidence that he’s aware of that fact, aware that walking around an urban setting wearing a bright red hunting cap is weird. On a surface level- surface because it’s the obvious reason for the cap that Holden himself admits to- the cap symbolizes Holden’s independent spirit, his determination to not be like everyone else. This quote demonstrates Holden’s own perception of the hat as a disruptive tool, a layer of protective armor that allows him to attack the people he meets, if only in his mind. Holden’s misanthropy grows steadily throughout the novel as people he admires disappoint him and those he despises confirm his suspicions, and the red hunting cap symbolizes his willingness to shoot those people, or attack them and insult them. â€Å"The trouble was, that kind of junk is sort of fascinating to watch, even if you don’t want it to be.† As Holden observes the perverts at the hotel, he feels conflicted. He admits to being fascinated, but he’s also clearly disapproving. His sense of helplessness is part of his emotional collapse- Holden doesn’t want to grow up, but his body is outside his control, which is terrifying to him. â€Å"The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move ... Nobody’d be different. The only thing that would be different would be you.† Unlike the ducks, which disturb Holden due to their regular disappearance, he finds comfort in the museum he takes Phoebe to, reveling in its static nature. No matter how long he stays away, the exhibits and the experience remain the same. This is comforting to Holden, who is terrified of change and who feels wholly unprepared to grow up and accept his mortality- and his responsibility. â€Å"The part that got me was, there was a lady sitting next to me that cried all through the goddam picture. The phonier it got, the more she cried. Youd have thought she did it because she was kindhearted as hell, but I was sitting right next to her, and she wasnt. She had this little kid with her that was bored as hell and had to go to the bathroom, but she wouldnt take him. She kept telling him to sit still and behave himself. She was about as kindhearted as a goddam wolf.† There are many quotes about the phonies that Holden meets and his low opinion of them, but this quote in the middle of the story expresses Holden’s true problem with it. It’s not so much that people put on airs and pretend to be something they’re not, it’s that they care about the wrong things. For Holden, what offends him here is that the woman is becoming emotional about the fake people on the screen while ignoring her unhappy child. To Holden, it should always be the other way around. This gets to the core of Holden’s war against time and maturity. As people get older, he sees them consistently ignoring what he thinks is important in favor of things he considers less so. He worries that by giving in and growing up he will forget Allie and start caring about fake things like the movies instead. â€Å"I walked all around the whole damn lake – I damn near fell in once, in fact – but I didnt see a single duck. I thought maybe if there were any around, they might be asleep or something near the edge of the water, near the grass and all. Thats how I nearly fell in. But I couldnt find any.† Holden’s obsession with death and mortality drives the entire story, as it’s heavily implied that his emotional troubles and difficulties in school began when his brother Allie died a few years before the story opens. Holden is terrified that nothing lasts, that everything- including himself- will die and disappear like his brother did. The ducks symbolize this fear, as they are a feature of his past, a fond memory that is suddenly gone, leaving no trace. At the same time, the ducks are also a sign of hope for Holden. They represent a comforting constant, because Holden knows that when the weather warms up again the ducks will return. This adds a faint note of hope that is amplified by the revelation at the end of the novel that Holden is telling his story from a place of safety and calm, implying that for Holden the ducks have finally returned. â€Å"Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobodys around- nobody big, I mean- except me. And Im standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff- I mean if theyre running and they dont look where theyre going I have to come out from somewhere and catch them. Thats all Id do all day. Id just be the catcher in the rye and all. I know its crazy, but thats the only thing Id really like to be. I know its crazy.† This quote not only gives the novel its title, it explains Holden’s fundamental issue in a beautiful, poetic way. Holden sees maturity as inherently bad- growing up leads to corruption and phoniness, and finally death. Everything Holden has observed in his life has told him that his brother Allie and his sister Phoebe are perfect in their childhood innocence, but will become like all of Holden’s despised schoolmates, teachers, and other adults in due time. He wishes to stop that passage of time and freeze everyone at a more innocent point in their lives. Crucially, Holden sees himself as all alone in this endeavor- the only person willing to attempt this feat, or qualified to do so. The fact that the song Holden’s mis-remembers- Coming Through the Rye- is actually about people sneaking into the fields to have illicit sexual encounters makes Holden’s immaturity obvious. It’s also another example of something Holden believes to be pure and innocent being corrupted and ruined by adult sensibilities, even if he’s not aware of the fact in the story.